To view a sortable list, please visit the Resource
All Documents
July 24, 1605
In the summer of 1605, by means of the deed shown here, Shakespeare was able to raise the very considerable sum of £440 to purchase from Ralph Hubaud a half-share in a lease of a portion of the Stratford tithes.
after 1605
Richard Carew (1555-1620) was a British antiquary, most famous for his Survey of Cornwall (1602).
ca. 1605
The register of Stratford’s court of record, which would have begun in 1601, has not survived and the only knowledge we have of its proceedings are to be found in loose case papers.
1604- 1605
The Revels Book of 1604–5 shows William Shakespeare at or near the height of his success as a playwright, with seven plays and eight performances at court. Merchant of Venice was so admired by the king that he commanded a repeat performance.
October 10, 1605
SHAKESPEARE DOCUMENTED IS STILL GROWING! Descriptive content and transcriptions will continue to be added, updated and expanded. Check back for regular updates!
1605
Augustine Phillips was a long-time member of the same playing company as William Shakespeare – the Lord Chamberlain’s and later the King’s Men. Phillips’s will, dated May 4, 1605, provides insight into two important aspects of the company’s operations.
May 13, 1605
Augustine Phillips was a long-time member of the same playing company as William Shakespeare – the Lord Chamberlain’s Men, later the King’s Men. Phillips’s will, dated May 4, 1605, provides insight into two important aspects of the company’s operations.
July 24, 1605
An attorney would have initially drafted the deed conveying the lease of half the Stratford tithes to Shakespeare, before a clerk or scrivener engrossed the final copy.
July 24, 1605
It was customary for a vendor to enter into a bond on the same day that a conveyance (or similar document) was signed, in order to ensure his or her performance of any covenants that the main deed contained.
ca. 1606
In several scenes, the Cambridge University play Progress to Parnassus mocks the literary tastes and talents of the London commercial stage, depicting Shakespeare as a popular but unsophisticated playwright and poet.
