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1599
This is a fragment of the only surviving copy of the first edition of The Passionate Pilgrim (1599). An early owner bound it with other poetic works, including a 1600 edition of Shakespeare's Lucrece and the only surviving copy of the sixth editi
1599
Sometime after Sir George Buc, the future Master of the Revels, purchased the anonymous play George a Greene, Pinner of Wakefield shown here, he added two manuscript notes to the title page.
1599
This 1599 printing is the only surviving copy of the sixth edition of Venus and Adonis, first published in 1593.
1600
Englands Parnassus is one of two printed commonplace books, or collections of extracts organized by topic, compiled by Robert Allott, and was printed shortly after John Bodenham’s Bel-vedére.
1600
This is the first edition of Henry IV, Part 2, printed in 1600 by Valentine Simmes for Andrew Wise and William Aspley, who entered it into the Stationers’ Register on August 23, 1600, along with Much Ado About Nothing.
1600
This is the variant of the first edition of Henry IV, Part 2, printed in 1600 by Valentine Simmes for Andrew Wise and William Aspley, who entered it into the Stationers’ Register on August 23, 1600, along with Much Ado About Nothing
1600
This is the first edition of A Midsummer Night’s Dream, printed by Richard Braddock for Thomas Fisher in 1600. Fisher registered the play on October 8 earlier that same year.
1600
This is the first (and only) quarto edition of Much Ado About Nothing.
1600
This is the second edition of The True Tragedy of Richard Duke of York, now known as Shakespeare’s Henry VI Part 3.
1600
Like other plays from the period, Shakespeare's plays were meant to be read both as stories and as sources for sententiae, or memorable aphorisms.
